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    305 - The Sorcerer’s Apprentices

    305 - The Sorcerer’s Apprentices

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    Least I Could Do: the Comic | Flipping The Bird

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    275 - Poems of the Masters

    275 - Poems of the Masters

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    267 - Sunday afternoon delights

    267 - Sunday afternoon delights

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    216 - The Art of the Japanese Sword

    216 - The Art of the Japanese Sword

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    196 - Kindle II
Still rereading Feist.

    196 - Kindle II

    Still rereading Feist.

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    161 - Book
A snapshot as I work my way back through Feist’s books.

    161 - Book

    A snapshot as I work my way back through Feist’s books.

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    The French Explore the Art of Chinese Cooking - Letter From Paris - NYTimes.com
I consulted a new book by Yu Zhou, a food expert who was born in Shanghai and has lived in Paris for years: “The Chopstick and the Fork: Tribulations of a Chinese Gastronome in France.”
He offered four historical differences between French and Chinese attitudes toward food:
Economic: In China, livestock farming was less developed than in France, so meat was scarce and had to be stretched by blending it with other ingredients.
Philosophical: Each meal must contain all five elements (metal, wood, water, fire, earth) and be as balanced as possible (the yin/yang theory).
Aesthetic: Chinese cuisine is more artistic than French, because the individual ingredients disappear to create a new taste — an art as admirable as painting or poetry.
Demographic (my favorite): China has always been an overpopulated country, so people were forced to be creative to survive. “We would therefore eat whatever we could find: chicken feet, fish livers and scales, jellyfish or beef stomach, which would probably be judged inedible in the eyes of Westerners,” he wrote.
Wish I could go see this exhibition. And I’m interested in that book too…

    The French Explore the Art of Chinese Cooking - Letter From Paris - NYTimes.com

    I consulted a new book by Yu Zhou, a food expert who was born in Shanghai and has lived in Paris for years: “The Chopstick and the Fork: Tribulations of a Chinese Gastronome in France.”

    He offered four historical differences between French and Chinese attitudes toward food:

    Economic: In China, livestock farming was less developed than in France, so meat was scarce and had to be stretched by blending it with other ingredients.

    Philosophical: Each meal must contain all five elements (metal, wood, water, fire, earth) and be as balanced as possible (the yin/yang theory).

    Aesthetic: Chinese cuisine is more artistic than French, because the individual ingredients disappear to create a new taste — an art as admirable as painting or poetry.

    Demographic (my favorite): China has always been an overpopulated country, so people were forced to be creative to survive. “We would therefore eat whatever we could find: chicken feet, fish livers and scales, jellyfish or beef stomach, which would probably be judged inedible in the eyes of Westerners,” he wrote.

    Wish I could go see this exhibition. And I’m interested in that book too…

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